A silver topped, yellow gold lavalliere necklace. The platinum chain suspending two bow design pendants with old mine diamonds and cabochon opals. In a Falize box with initials and baron crown. 1890 c.a. Paris

Collana detta Lavalliere in platino oro giallo opali e diamanti. La fine catena sorregge due pendenti con motivo a fiocco. In scatola di Falize, Parigi, 1890 c.a. Con iniziali e corona di Barone.

Falize is a famous French jewellery house known for its cloisonné enameling and Japanese-inspired designs. In 1832 Alexis Falize (1811-1898) began an apprenticeship with Parisian jeweller . Falize quickly learned all aspects of the trade: manufacturing, , , design, sales, and bookkeeping. He left Mellerio in 1835 for Janisset, and finally opened his own workshop In 1838. Vever credited Falize with revitalizing jewellery and the decorative arts during Napolean III’s reign (1852-1870). His specialty was “artistic” jewellery: jewellery featuring semi-precious gemstones, intricate metal work, and .From 1860 to 1865, Falize experimented with enamels and studied with the most talented enamellists of the time. In 1871, he introduced a new method of  enameling. His work was widely copied and sparked a general interest in the use of brightly colored enamels. Inspiration for his designs was drawn from almost every historical era and many cultures, including those of Persia, India, and Japan. When Falize retired in 1876, his son Lucien (1839-97) assumed control of the workshops. Having trained with his father for the previous two decades, Lucien was a competent successor—a highly skilled enamellist, , and designer. His obsession with eras past (especially the Renaissance) and Japanese art matched, if not surpassed, that of his father. In 1878, Falize won a grand prize for his jewellery as well as a coveted Legion of Honor Cross at Paris’s International Exposition. In 1878, he joined forces with descendants of Bapst, the former French Crown Jewellers, to create jewellery for Paris’s wealthy aristocrats. Until 1892, Bapst et Falize enjoyed great prosperity. Around that time, Falize helped to theorize the burgeoning  movement, contributing articles to Samuel Bing’s monthly journal Le Japon artistique. When Falize suddenly died in 1897, his sons André, Jean, and Pierre continued the business as Falize Frères. They produced beautiful Art Nouveau pieces, winning two grand prizes at Paris’ International Exhibition in 1900.